All posts in Digital signage

Gulf Coast Turns to OOH to Raise Awareness, Lure Tourists

From sad shrimp to tequila trains, people and companies all around the Gulf Coast seem to have jumped on the OOH media train to improve the situation left in the wake of the BP oil spill.

Adams Outdoor

From the beginning, the issue has been one of raising awareness, change, and funds to help local residents. To do this, Adams Outdoor Advertising used the power of OOH media to bring the situation into daily conversations. Using their own billboards, they posted creative showing a sad face with eyes made of shrimp and a mouth made of an oily brushstroke. Not only is the ad effective in getting your attention, it also brings the realization that the spill touched everyone in the area… especially those fishermen whose livelihoods depend on ocean life.

Patron

On the other side of the spectrum, Patron Tequila took a fun approach to raising money for Gulf residents. The St. Bernard Project partnered with The Patron Spirits Company to create the “Patrón Tequila Epicurean Express,” a restored 1927 train car that toured the country, stopping for two nights in select cities. In exchange for donations, people could board the train for a cocktail party the first night, while big spenders were also invited to a gourmet dinner the second night.

Other areas of the Coast, such as the Florida Panhandle, are finding creative ways to lure tourists back to the area they claim is unaffected by the spill. And what better way to inform people that your vacation destination is as oil-free as ever than to show them? VP of marketing for the Panama City Beach Convention and Visitors Bureau, for example, is using digital billboards to post images of the pristine beaches she snapped using her iPhone. The images are then displayed alongside messages like “Our Coast is Clear” and “Wish you were here.”


World Cup and Worldly Outdoor Campaigns

Of course something as important as the World Cup attracts only the coolest marketing campaigns of the year. All over the world, companies and sponsors have put together so many interactive gimmicks that we couldn’t decide which one to write about. So we’re gonna tell you about all of them!

Let’s start in Melbourne, Australia, where Adidas has placed a huge (19 feet high and 2 tons!) Jubalani soccer ball outside a crowded tourist-y area and has a young whippersnapper who plans to live in the ball for the entire length of the World Cup. By entire, we mean 22 to 24 hours a day!  The lucky guy, Adam Santarossa, is set up with a flat screen TV, computer, Playstation, couch, bed, free food and drink, and all he has to do is use social media to keep the world updated on his new lifestyle and, of course, offer his commentary on the soccer games.

A hop, skip away in London, the famous Piccadilly Circus square features a digital screen sponsored by Coca-Cola that runs live video of fans’ celebratory dances. The stunt, aptly named ‘€œWhat’s Your Celebration’€, engages passersby by first calling them out. The people manning the board use a laptop to type messages to the people looking at the screen and then call them to the piece of Astroturf grass and corner flag to perform their best victory dance. Their video is then posted on the screen for the entire square to see.

Heading south to Johannesburg, Nike is promoting its ‘€œWrite the Future’€ campaign where fans can type a message up to 57 characters via the promotion’s Facebook page, Twitter (#NikeFuture), QQ (in China) and Mxit (in South Africa) to any of 50 Nike-endorsed soccer pros. Select messages are then displayed on the fourth largest building in the city along with awesome graphic images of players like Cristiano Ronaldo.

Much like the Olympics or the Super Bowl, the World Cup offers companies the chance to market to mass consumers in innovative and new ways. This year is no different ‘€“the creativity continues to flow and we are all very impressed with what we’ve seen. Now if only the U.S. had beaten Ghana’€¦


DOmedia Travels to the Big Apple for MediaPost’s Digital OOH Forum

Is this glass half full or half empty? Well the one in this picture happens to be wine, so if it’s mine it’s probably more than half empty. But in terms of the metaphor everyone is familiar with, I think the answer depends on who you are and what you’re doing. As members of the digital OOH (ahem’€¦ place-based video) industry, I think in 2009 it was easy to say half empty. After spending a day with the industry at the MediaPost 2010 Digital OOH Forum, I think the attitudes of the group have made an optimistic transition.

halfFull

Jack Sullivan from Starcom demanded the early attention of the conference with powerful insights from a panel of Big Buyers. Tough questions were posed throughout the day, and from what I can tell, some still need answered. These include:

  • Consistent Measurement ‘€“ More networks are starting to get measured’€”which is great’€”but now we need to find a consistent way to compare apples to bananas to better understand the differences in the quality of impressions when we look for scale.
  • Consistent Formats ‘€“ Sure it would be great to create a custom creative message for each unique consumer in each unique environment (and at different times), but given digital OOH is still small potatoes to most advertisers, how practical is it to do so?
  • Growth Plan ‘€“ Given digital signage has many technical strengths and capabilities (geo addressibility, mobile integration, POS positioning, etc.), why are we still chasing traditional formats and budgets? How can we balance the need to lower barriers of entry to advertisers, while allowing the core strengths of the medium to shine through? Where do local advertisers fit in?

As the day rolled on, our own Jeff Bell revealed screenshots of DOfind, the highly anticipated enhanced version of our directory service, during the vendor showcase (which included some other cool companies, too, like interactive gaming provider MegaPhone who used the audience’s mobile phones to demo a few games in what was probably the day’s most unique presentation).

Late in the afternoon, I enjoyed the irony of Dave Weinfeld’s point about how the event missed an opportunity to integrate mobile with the digital screen. In the session before his panel, the creatives were dismantling certain example executions for ‘€œnot utilizing the strengths of digital signage’€ (like mobile integration). People (including me) were tweeting on their phones throughout the event, but there was no tie in to the ‘€œscreen’€ that was on the stage (except for MegaPhone; applause again guys). I guess we can all learn to improve as we better understand the capabilities of this media.

Overall it was a great show and I look forward to working with the industry in addressing these key issues for growth!

Thanks PRN for the lunch and the Starbucks card from bingo. And thanks to Bob Martin and the folks from RMG Networks for buying the beer after the show!

Find me @mattwarholic or email to matt[at]domedia.com


Morphing Advertising and Faces All at Once

Once again, Inwindow Outdoor proves successful at combining advertising and advanced technology to create a buzz-worthy campaign. DailyDOOH and TechNews Daily did a great job of highlighting the advertising efforts marking the release of the hit movie, Avatar. Inwindow Outdoor created a 60′ by 10′ structure that includes three ‘€˜morphing stations’ and one large-scale video wall framed with vinyl and branded in Avatar themes. The display, located at The Grove in Los Angeles, attracts audience members to the screen, recognizes facial features and then transforms their face into a famous, blue Avatar creature, the Na’vi. After their transformation is complete, users can type their email address on the interactive touch screen to obtain a video of their morph, as well as information about where to pick up the Avatar Blue-ray disc.  

This technology offers a glimpse of what advertisers are pushing these days: interactive out-of-home media executions. The technology, called ‘€˜augmented reality,’ adds virtual imagery to the environment as the audience sees it. A notable example is the yellow ‘€˜first down’ line in football games on TV. In this case, the Na’vi cat-eyed, blue face staring back at users is augmented reality. Other technologies gaining popularity in the OOH advertising world include holograms and nearby motion generated sights and sounds. According to Lance Porter of LSU’s Manship School of Mass Communications, ‘€œTechnology has finally caught up with what marketers have dreamed about since the Internet went commercial in 1995.  [Technology] has moved so quickly now that so many things are possible.’€

This isn’t the first digital out-of-home campaign Inwindow Outdoor has created. Similar campaigns for Sprint Mobile, The CW’s The Vampire Diaries, and the popular children’s movie, Coraline, were featured in big cities across the United States. The Avatar advertising experience (also delivered by FOX Studios, Zenith Media and Blue Bite) is on display for a month, beginning April 16th.


Digital Out-of-Home Unites, Shows Up for Haiti Relief Effort

US_landscape_sample

Since the earthquake in Haiti, DOOH has really stepped up to the plate and proved its worth the past couple weeks. In the aftermath of a tragedy felt around the world, everyone knew something needed to be done–but what? And we all wanted to help–but how? A single, unified message had to be created and made available to the masses. Quick, effective and capable of reaching millions of people worldwide.

So when Matthew Stoudt, CEO of Outcast, rang up the presidents of Zoom Media, TargetCast Networks, CBS Outernet, PumpTopTV, Premier Retail Networks, Captivate Network, AdSpace Networks and IndoorDIRECT, it wasn’t as a competitor but as a fellow industry leader trying to take action. With combined efforts and the help of the Red Cross, the group is now running “Text ‘Haiti’ to 90999” ads across thousands of screens in malls, grocery stores, gyms, doctors’ offices and much more. By running the message across all of the biggest digital screen networks (40,000+ screens to be exact), the donation effort will reach about 100 million Americans each month.

Originally, the Ad Council worked with the Red Cross to develop a digital image to distribute across OOH screens. From there, it was picked up and distributed through OAAA. Lamar, Clear Channel, Health Media Network and Zoom Media have all picked up these ads as well. Some of the Ad Council messages include Michelle Obama or Bill Clinton and George Bush asking for donations. Some companies, such as iDklic Digital Signage and Narrowcasting in Belgium, put together their own ads and began running them across all of their networks. RAMVISION is also running a 2-week campaign for the Disaster Emergency Committee, broadcasting across their Shopping Centre Network.

Interested in joining the effort but don’t have the time or resources to put a spot together? The Preset Group has you covered. They’ve put together PSAs for use by anyone in the digital out-of-home community. For more info, click here.